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Penyajian Tari Kaki Anggau di Sanggar Mahligai Kabupaten Siak Provinsi Riau

Fitri, Fadea Annisa (2025) Penyajian Tari Kaki Anggau di Sanggar Mahligai Kabupaten Siak Provinsi Riau. Other thesis, Universitas Islam Riau.

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Abstract

The purpose of this study is to ascertain how the Kaki Anggau Dance is presented in the Mahligai Studio in the Siak District, Siak Regency, Riau Province. The researcher's theory is the belief that Many aspects of dance composition are essential to understand, including dance movements, floor design, music design, dramatic design, dynamics, group choreography, theme, makeup, costumes, properties, staging, lighting, and audience, according to Soedarsono (1977:40). Descriptive analysis using a qualitative approach is the methodology employed in this study. This study uses observational data gathering, interviews, and documentation as its data collection methods. Seven different sorts of motions were identified by the study's findings: the anggau foot movement, the selfie movement, the zapin movement, the mopping movement, the cannon playing action, the step movement, and the fishing movement. Typically, MP3 files of recorded music are utilized. The musical instruments that were employed were the accordion, violin, gambus, kentongan, triangle, and tambor. A double dramatic design is the dramatic style employed. Three levels are used in this dance's dynamics: low, middle, and high. Group choreography involves a variety of group designs, including balanced, split, alternating, and simultaneous. The location of this dance performance is expansive enough to allow for unrestricted viewing from all directions. The Siak community's traditional game serves as the dance's subject. Male dancers wear tanjak and songket, while female dancers dress in kebayas, skirts, and belts. Simple flowers and ornaments are worn on their heads. Simple makeup is applied; no areas are highlighted. Stilts are employed for a number of motions, and anggau feet are used as supporting elements in this dance. sole direct sunlight is often utilized for the lighting during a performance in an open area, whereas brilliant yellowish white is typically the sole color used in a confined setting.

Item Type: Thesis (Other)
Contributors:
Contribution
Contributors
NIDN/NIDK
Thesis advisor
Syefriani, Syefriani
UNSPECIFIED
Uncontrolled Keywords: Dance Presentation, Creative Dance, Kaki Anggau Dance
Subjects: L Education > L Education (General)
N Fine Arts > NX Arts in general
Divisions: > Pendidikan Sendratasik
Depositing User: Mia Darmiah
Date Deposited: 08 May 2026 01:41
Last Modified: 08 May 2026 01:41
URI: https://repository.uir.ac.id/id/eprint/33264

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