Juliana, Wiwik (2023) Seni Pertunjukan Gondang Ogung Dalam Acara Tradisi Adat Penobatan Datuk Bijo Di Desa Rantau Kasih Kecamatan Kampar Kiri Hilir Kabupaten Kampar Provinsi Riau. Other thesis, Universitas Islam Riau.

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Abstract

This study aims to describe the form of the musical performance of Gondang Ogung in the traditional coronation ceremony of Datuk Bijo in Rantau Kasih Village, Kampar Kiri Hilir District, Kampar Regency, Riau Province. The theory of the form of performance used in this writing is Edy Sedyawati (1981:60) Includes the order of presentation of the performance time, place, players and audience. The method used in this research is a qualitative research method which is carried out by describing or describing things related to a situation. Data collection techniques are observation, interview, and documentation techniques. Data analysis by means of data reduction, data presentation, drawing conclusions. The results of this study indicate that the form of the musical performance of Gondang Ogung in the Traditional Ceremony of the Coronation of Datuk Bijo in Rantau Kasih Village, Kampar Kiri Hilir District, Kampar Regency, Riau Province, includes the order of presentation of instruments, musical instruments that are the object of the author's research are Gondang, Calempong, Gong. . The time of the show is held in the afternoon after the Dzuhur prayer and in the afternoon after the Asr prayer and at night after the Isha prayer but it depends on the host who is holding the event. Place is carried out on stage or stage. There are 4 Gondang Ogung music players, including 1 Calempong player, 2 drum players and 1 Gong player. The audience of the show is the people of Rantau Kasih Village, ranging from children to the elderly.

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