Kajian Estetika Pada Tari Mak Inang Pulau Kumpai Di Sanggar Kumpulan Seni Seri Melayu Kota Pekanbaru Provinsi Riau

Putra, Septian Abdi (2019) Kajian Estetika Pada Tari Mak Inang Pulau Kumpai Di Sanggar Kumpulan Seni Seri Melayu Kota Pekanbaru Provinsi Riau. Other thesis, Universitas Islam Riau.

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Abstract

Mak Inang Dance Kampai Island Tells About A Pair of Young Mudi in the process of introduction to becoming lovers. In this dance the author examines the Aesthetic Study of Mak Inang Dance Kampai Island in Sanggar Collection of Malay Art Series, as for the elements in dance, form, weight, and presentation. Being is a concrete reality (can be seen with the eyes or ears) or an abstract reality. Motion is analyzing the process of realizing or developing a form with a variety of considerations of the principles of form into a form of dance movement. For example, the simplest form or form of art is a point, a point that is moved can give the impression of lines that are diverse and tortuous. The atmosphere to strengthen the impression that is delivered by the actors in the film, drama, dance, or drama gong. Behind this technique has actually been known in the most traditional arts, such as puppetry. Then in recurrence, mask dance, and other dances, this means the results of thoughts or concepts, opinions or views about something. In the arts there is no story that does not contain weight, namely ideas or ideas that need to be conveyed to the audience. However the story is simple, of course there is weight. Appearance is seen from how the art is presented, presented to the audience to the observer. With the appearance of the intended way of presentation, how the art is presented to the beholder, the audience, the observer, the reader, the listener, the general public in general. of something, whether it is concrete or abstract nature of the form, what can appear is what can be realized, because it would be nice if before speaking of the work of art, how it would be manifested.

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