Khairani, Khairani (2023) Analisis Bentuk Lagu Kekasih Hati Karya M.hasan Di Kota Pekanbaru Provinsi Riau. Other thesis, Universitas Islam Riau.

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Abstract

This study aims to determine "Analysis of the Forms of the Song of Lover Hati by M.Hasan in Pekanbaru City, Riau Province". The research method used is non-interactive qualitative. Data collection is done by observation, documentation and interviews. The data analysis technique uses data reduction, data display and verification or drawing conclusions. The results of the study show that the music of Lover Hati uses 2 key signatures (scales), namely B mol or Db Major (Db=Do) which are played on a relatively minor scale, namely Bb=Do, at the beginning of the song it begins with an introduction, namely Rall without a scale. using the ad libitum technique. After the rall enters part 1, the song with the 4/4 measure enters on the 3 up beat with the 4/4 note. While the tempo used is moderato which means it is fast, while the speed is 100. In part 2 there is a 6/8 meter with a tempo of 66. And in parts 3 and 3 the main part returns to the 4/4 meter. In Lover of the Heart there are 94 bars. In the song Lover of Heart, part A consists of 1 Anticedence (question sentence) and 1 Consequance (answer sentence), namely 3 repetitions in the song. Part B consists of 1 Anticedence (question sentence) and 1 Consequance (response sentence) which is 2 repetitions in the song. Part C consists of 1 Anticedence (question sentence) and 2 Consequance (response sentence) which is 2 repetitions in the song. The cadence of the song Kekasih Hati in sentence A is a half cadence: chord progression I -V In the half cadence, both triads (I and V), are in basic position, and the tonic of the last triad (V), because it ends with a chord (I and V), and the answer sentence ends with the I-I chord. This means using a half cadence. The cadence of the song Beloved Heart in sentence B is a half cadence: chord progression I -V. In the half cadence, the two triads (I and V), are in the basic position, and the tonic of the last triad ( V), because it ends with chords (I and V), and in the answer sentence it ends with chords IV-I. This means using a perfect cadence. The cadence of the song Kekasih Hati in sentence C is a perfect authentic cadence: V-I chord progression

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