Analisis Tari Onduo Dalam Gorak Karya Dasrikal Di Rumah Seni Balai Proco Pekanbaru

Hanan, Rizlina (2022) Analisis Tari Onduo Dalam Gorak Karya Dasrikal Di Rumah Seni Balai Proco Pekanbaru. Other thesis, Universitas Islam Riau.

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Abstract

The formulation of the problem from this research is how is the analysis of Onduo in Gorak by Dasrikal at the Balai Seni Sanggar Balai Proco Pekanbaru. The purpose of this study was to determine the analysis of Onduo in Gorak by Dasrikal at the Balai Seni Studio, Balai Proco Pekanbaru. The type of research used in this study was a type of research using descriptive analysis method using interactive qualitative data based on the philosophy of phenomology, because the data used The data obtained are data found directly in the field, namely at the Balai Proco Art House Studio, Pekanbaru with the object of Onduo Dalam Gorak. The data in this study were collected by means of observation, interviews and documentation. The data obtained were analyzed by means of data reduction, data presentation and data verification. The results of the study show that the Onduo Dalam Gorak was created in 2020. This dance takes a contemporary concept with the traditional silat movements of Rokan Hulu combined with contemporary movements. that this dance is a new form of dance that takes the theme and inspiration from the Onduo that developed in the people of Rokan Hulu, Riau Province. Remembering Onduo Dalam Gorak dance as a contemporary dance that is presented to be enjoyed by others and to be cultivated. Variety of dance movements The first is squirrel bogoluik, the second is merbah bopulun, and the third is olang babega.Dance Onduo in Gorak This dance is danced by three male dancers and one female dancer with a duration of about 26 minutes. The accompanying music Onduo Dalam Gorak is the burden of the gong and the gong. The property used in this dance Onduo Dalam Gorak is .dance Onduo Dalam Gorak not use special make-up, they appear simple as it is. The clothing worn in Onduo Dalam Gorak which is used by male dancers, uses black Malay civet civet clothes and is combined with black hanging pants, while female dancers use the same basic material as satin cloth with a kebaya pattern anchored in women's daily Malay clothes.

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